| Michael Snow | |
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Michael Snow, 2007 |
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| Born | December 10, 1929 Toronto, Ontario |
| Nationality | Canadian |
| Field | installation art, filmmaker, painter |
| Training | Ontario College of Art |
| Movement | Structural film |
| Works | New York Eye and Ear Control, Wavelength, La Région Centrale |
| Awards | Officer, Order of Canada 1981 Companion, Order of Canada 1997 Chevalier d'ordre des Arts et des Lettres, France 1995 Governor General's Award in Visual and Media Arts 2000 Honorary Doctorate, Université de Paris I Panthéon-Sorbonne 2004 |
Michael Snow, CC (born December 10, 1929) is a Canadian artist working in painting, sculpture, video, films, photography, holography, drawing, books and music.
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Michael Snow was born in Toronto and studied at Upper Canada College and the Ontario College of Art. He had his first solo exhibition in 1957. Since then, his work has appeared at exhibitions across Europe, North America and South America. His works were included in the shows marking the reopening of both the Centre Pompidou in Paris in 2000 and the MoMA in New York in 2005. In March 2006 his works were included in the Whitney Biennial.
Snow is considered one of the most influential experimental filmmakers[1][2] and is the subject of retrospectives in many countries. In his 2002 Village Voice review of *Corpus Callosum, J. Hoberman writes: “Rigorously predicated on irreducible cinematic facts, Snow's structuralist epics—Wavelength and La Région Centrale—announced the imminent passing of the film era. Rich with new possibilities, *Corpus Callosum heralds the advent of the next. Whatever it is, it cannot be too highly praised.” *Corpus Calossum was screened at the Toronto, Berlin, Rotterdam, and the Los Angeles film festivals amongst others. In January 2003, Snow won the Los Angeles Film Critics Association, Douglas Edwards Independent Experimental Film/Video Award for *Corpus Callosum. His numerous films have premiered in major film festivals all over the world. Five of his films have premiered at the Toronto International Film Festival (TIFF). In 2000, TIFF commissioned Snow with Atom Egoyan and David Cronenberg to make short films, Preludes, for the 25th Anniversary of the festival. Wavelength has been designated and preserved as a "masterwork" by the Audio-Visual Preservation Trust of Canada[3] and was named #85 in the 2001 Village Voice critics' list of the 100 Best Films of the 20th Century .[4]
Originally a professional jazz musician, Snow has a long-standing interest in improvised music, as indicated by the soundtrack to his film New York Eye and Ear Control. As a pianist, he has performed solo and with other musicians in North America, Europe and Japan. Snow performs regularly in Canada and internationally, often with the improvisational music ensemble CCMC and has released more than a half dozen albums since the mid-1970s. In 1987, Snow issued The Last LP (Art Metropole), which purported to be a documentary recording of the dying gasps of ethnic musical cultures from around the globe including Tibet, Syria, India, China, Brazil, Finland and elsewhere, with more thousands of words of pseudo-scholarly supplementary notes, but was, in fact, a series of multi-tracked recordings of Snow himself, who gave the joke away only in a single column of text in the disc's gatefold jacket, printed backwards and readable in a mirror. One track, purported to be a document of a coming-of-age ritual from Niger, is a pastiche of Whitney Houston's song "How Will I Know."
Snow's works have been in Canadian pavilion at world fairs since his famous Walking Women sculpture was exhibited at Expo 67 in Montréal. His recent bookwork BIOGRAPHIE of the Walking Woman / de la femme qui marche 1961-1967 (2004) was published in Brussels by La Lettre vole. It consists of images of the public appearances of his globally famous icon.
Snow was one of the four performers of the rarely performed Steve Reich piece Pendulum Music on May 27, 1969 at the Whitney Museum of American Art. The other three were: Richard Serra, James Tenney and Bruce Nauman.
Anarchive2: Digital Snow describes Michael Snow as “one of the most significant artists in contemporary art and cinema of the past 50 years.” This 2002 DVD was initiated by Paris’ Centre Pompidou and was produced with the support of la foundation Daniel Langlois, Université de Paris, Heritage Canada, the Canada Council, Téléfilm Canada and Montreal’s Époxy. It is an encyclopedia of Snow's works across media, browsed in a manner inimitably and artfully created by Snow. Its 4,685 entries include film clips, sculpture, photographs, audio and musical clips, and interviews.
In 1993, The Michael Snow Project, lasting several months, was a multivenue retrospective of Snow’s works in Toronto exhibited at several public venues and at the Art Gallery of Ontario and The Power Plant. Concurrently his works were the subjects of four books published by Alfred A. Knopf Canada.
In 1981, he was made an Officer of the Order of Canada and was promoted to Companion in 2007 "for his contributions to international visual arts as one of Canada’s greatest multidisciplinary contemporary artists".[5] He received the first Governor General’s Award in Visual and Media Arts (2000) for cinema.
In 2004, the Université de Paris I, Panthéon-Sorbonne awarded him an honorary doctorate. The last artist so awarded was Pablo Picasso. In 2006, Lima's Museum of Art (MALI) held a selective retrospective exhibition as well as a screening of his films in Peru, as part of the Vide/Art/Electronic Festival.
Université de Paris I, Panthéon-Sorbonne (2004), Emily Carr Institute, Vancouver (2004) Nova Scotia College of Art and Design, Halifax (1990), University of Toronto (1999), University of Victoria (1997), Brock University (1975).